Most of the books I write are based here. Well, not here, because my sofa isn't that interesting and I'd be hard pressed to get more than a paragraph out of my living room, but here as in ...(I'm waving my arm to take in the general scenery here, but you can't see me doing it so I don't know why). Location adds more to a book than just a place for it to happen in. Think of Daphne du Maurier's books, 'Jamaica Inn' and 'Frenchman's Creek' - they are so steeped in Cornwall that you can practically smell the cream teas when you open them.
|Oddly enough, a lot of it was filmed in Yorkshire...|
So books are coloured by their backgrounds, and, if you're writing a novel then it's very useful to have the sort of background that can also reflect the action in the book. York, for example, has a lot of windey (also windy, see above) streets, and wandering through narrow, cobbled streets where the shops all lean against one another is a time-honoured way of having a character reflect on their circumstances, and if they can do this whilst buying a loaf of bread and a cabbage, then so much the better. Wide open spaces give characters lots of 'walking about' time, and my characters go in for a lot of musing, so it's useful to have them doing it where they won't walk into other people or fall off the edge of the pavement.
Seasons and weather are also bigger in the countryside. In cities rain is just wet, out here it can be horizontal and blinding and hail can knock all your fingers off. All good stuff when you need a 'big moment' in a book...
|My locality (not actual size)|